Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. She had reached a neighbourhood of narrow, crowded streets. The women were mostly without hats; and swarthy men, rolling cigarettes, lounged against doorways. The place had a quaint foreign flavour. Tiny cafés, filled with smoke and noise, and clean, inviting restaurants abounded. She was feeling hungry, and, choosing one the door of which stood open, revealing white tablecloths and a pleasant air of cheerfulness, she entered. It was late and the tables were crowded. Only at one, in a far corner, could she detect a vacant place, opposite to a slight, pretty-looking girl very quietly dressed. She made her way across and the girl, anticipating her request, welcomed her with a smile. They ate for a while in silence, divided only by the narrow table, their heads, when they leant forward, almost touching. Joan noticed the short, white hands, the fragrance of some delicate scent. There was something odd about her. She seemed to be unnecessarily conscious of being alone. Suddenly she spoke.!

“Men have accomplished great things without a woman’s help,” she said. The nurse was standing by the window. She turned sharply on Joan’s entrance. Joan slipped the box into her hands.

“Yes, but when Phillips does speak, he speaks to the whole country,” retorted Joan. “I am going,” he said, “where there is just the possibility of an accident: one never knows. I wanted to be sure that all was well with you.” Through swinging doors, she caught glimpses of foul interiors, crowded with men and women released from their toil, taking their evening pleasure. From coloured posters outside the great theatres and music halls, vulgarity and lewdness leered at her, side by side with announcements that the house was full. From every roaring corner, scintillating lights flared forth the merits of this public benefactor’s whisky, of this other celebrity’s beer: it seemed the only message the people cared to hear. Even among the sirens of the pavement, she noticed that the quiet and merely pretty were hardly heeded. It was everywhere the painted and the overdressed that drew the roving eyes.